1982. Dir: Hou Hsiao-hsien. Cin: Chen Kun-hou.
Context:
It is perhaps important to note that Hou would never again utilize as wide an aspect ratio as he did in his first three films, allowing for the intensity and purity of perception you find in the mature work.
The Film:
"Perhaps the most noteworthy of the three, Green, Green Grass casts Bee and a new ingĂ©nue, Jiang Ling (who gets almost no dialogue), as schoolteachers in the countryside. Where the first two films were built on the universal romantic-comedy set-up in which a woman must choose between the cold intelligence of one suitor and the open-hearted spontaneity of another, Green, Green Grass finds Hou loosening up and departing from strict genre templates, rooting his film in the particularities of his setting, and willfully distracting himself with anecdotes from the extended family of his colorful supporting cast. While the female characters are far more marginalized here than they are in Cute Girl or Cheerful Wind, his portrayal of the emotional lives of children—which would become so central in his most autobiographical films—gains a new sophistication. But even in spite of these developments, the film is of a piece with the breezy sentimentality of its predecessors and, like them, ends with a social and moral message: where Cute Girl warns against urban encroachment, and Cheerful Wind encourages patience, charity, and loyalty, Green, Green Grass teaches grade-school lessons of environmental responsibility and conflict resolution."
Reception:
Resources:
http://reverseshot.org/symposiums/entry/602/cute_girl_cheerful_wind_green_green_grass_home
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